{"id":875,"date":"2020-06-11T22:24:18","date_gmt":"2020-06-11T21:24:18","guid":{"rendered":"https:\/\/www.auteursdetheatre.org\/?p=875"},"modified":"2020-07-15T14:09:43","modified_gmt":"2020-07-15T13:09:43","slug":"palmares-2020","status":"publish","type":"post","link":"https:\/\/auteursdetheatre.org\/?p=875","title":{"rendered":"Palmar\u00e8s 2020"},"content":{"rendered":"\n<p><em>Communiqu\u00e9 de Presse \u2014 12\/06\/2020<\/em><\/p>\n\n\n\n<p>Les Journ\u00e9es de Lyon organisent depuis 30 ans le plus important concours d\u2019\u00e9criture dramatique de l\u2019espace francophone.<br>Pour cette \u00e9dition, 350 textes ont \u00e9t\u00e9 re\u00e7us, lus, relus, annot\u00e9s, et \u00e2prement discut\u00e9s (1200 fiches de lecture produites).<\/p>\n\n\n\n<p><strong>Laur\u00e9ats<\/strong> :<br>\u2022<strong> Jean D\u2019Am\u00e9rique <\/strong>&#8211; <em>Cath\u00e9drale des cochons<\/em> (Prix Jean Jacques Lerrant)<br>\u2022 <strong>Ariane von Berendt<\/strong> &#8211; <em>Le Sourire crucifi\u00e9 de la Biens\u00e9ance<\/em><br>\u2022 <strong>Sarah Carr\u00e9<\/strong> &#8211; <em>Pingouin (discours amoureux)<\/em><br>\u2022 <strong>Dani\u00e8le LeBlanc<\/strong> &#8211; <em>Ravages<\/em><br>\u2022 <strong>Catherine Monin<\/strong> &#8211; <em>Polywhere<\/em><\/p>\n\n\n\n<p><strong>Ces cinq textes feront l\u2019objet d\u2019une \u00e9dition<\/strong> avec nos partenaires (\u00c9d. Th\u00e9\u00e2trales, Lansman \u00c9diteur, Espace 34, Solitaires intempestifs, L\u2019Arche, Ko\u00efn\u00e9, Espace 34, Quartett, Actes Sud Papiers, L\u2019Espace d\u2019un Instant\u2026).<br><strong>Ils seront confi\u00e9s \u00e0 des compagnies professionnelles<\/strong> qui proposeront des mises en voix lors des Journ\u00e9es de Lyon les 1, 2 ou 3 octobre\u2026 en fonction des contraintes sanitaires du moment.<\/p>\n\n\n\n<p>Les Journ\u00e9es de Lyon des Auteurs de th\u00e9\u00e2tre souhaitent \u00e9galement faire conna\u00eetre les <strong>textes remarqu\u00e9s par le Jury <\/strong>lors de la phase finale de s\u00e9lection :<br><br>\u2022 <strong>Yan Allegret<\/strong> &#8211; <em>Jeanne<\/em><br>\u2022 <strong>Tha\u00efs Beauchard de Luca<\/strong> &#8211; <em>Coachy<\/em><br>\u2022 <strong>St\u00e9phane Bonnard <\/strong>&#8211; <em>Ici (Et maintenant)<\/em><br>\u2022 <strong>Marion Chobert<\/strong> &amp; <strong>Emanuel Campo<\/strong> &#8211; <em>La comp\u00e9tition<\/em><br>\u2022 <strong>Groupe Petrol<\/strong> &#8211; <em>Le souffle et sa renverse<\/em><br>\u2022 <strong>Zinnie Harris<\/strong> &#8211; <em>Rendez-vous \u00e0 l\u2019aube<\/em> \u2014 Traduction de Blandine P\u00e9lissier<br>\u2022 <strong>Hans Limon<\/strong> &#8211; <em>La Solange elle dit<\/em><br>\u2022 <strong>Mariette Navarro<\/strong> &#8211; <em>Les d\u00e9sordres imaginaires<\/em><br>\u2022 <strong>Romain Nicolas<\/strong> &#8211; <em>Minable Umain \/ Blurnout<\/em><br>\u2022 <strong>Laura Tirandaz<\/strong> &#8211; <em>Feu la nuit<\/em><\/p>\n\n\n\n<p>Des lectures seront propos\u00e9es dans le cadre des <strong>Lundis en coulisse<\/strong> organis\u00e9s par le Th\u00e9\u00e2tre Narration au TNG \u00e0 Lyon, par la Cie Les Encombrants \u00e0 Dijon et lors du <strong>Festival National de Th\u00e9\u00e2tre Contemporain de Ch\u00e2tillon-sur-Chalaronne<\/strong> (Ain).<\/p>\n\n\n\n<p><strong>Membres du jury <\/strong>ayant particip\u00e9 \u00e0 cette s\u00e9lection :<br>\u2022 Lionel ARMAND \u2022 Pierre BANOS \u2022 Caroline BOISSON \u2022 Bernadette BOST \u2022 Roland BOULLY \u2022 Fany BUY \u2022 Michael COMTE \u2022 Guillaine DIOUDONNAT \u2022 \u00c9lyane G\u00c9ROME \u2022 Damien GOUY \u2022 Kathy GREMERET \u2022 Pauline HERCULE \u2022 Jacqueline JACOT \u2022 Philippe LABAUNE \u2022 Nicole LACHAISE \u2022 Olivier MASSIS \u2022 Fran\u00e7oise ODIN \u2022 Jacqueline ROZIER \u2022 Jean-Paul SABY \u2022 Anne Laure SANCHEZ \u2022 Christian TAPONARD \u2022 Pierre-Damien TRAVERSO \u2022 Marvin VENDEVILLE \u2022 Thierry VENNESSON \u2022 \u00c9mile ZEIZIG<\/p>\n\n\n\n<p><em>Les diff\u00e9rentes manifestations seront programm\u00e9es selon l\u2019\u00e9volution de la crise sanitaire. A suivre sur ce site.<\/em><\/p>\n\n\n\n<p>Pour le jury, le pr\u00e9sident, Emile Zeizig<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p>Les Journ\u00e9es de Lyon sont soutenues par :<br>\u2022 La <strong>R\u00e9gion Auvergne Rh\u00f4ne-Alpes<\/strong>,<br>\u2022 La <strong>DRAC Auvergne Rh\u00f4ne-Alpes<\/strong>,<br>\u2022 La <strong>Ville de Lyon<\/strong>,<br>\u2022 La <strong>SACD<\/strong>,<br>\u2022 La <strong>Copie Priv\u00e9e<\/strong><br>\u2022 La <strong>Maison Jean Vilar<\/strong><br>\u2022 La <strong>Fondation Jan Michalski <\/strong>pour l\u2019\u00e9criture et la litt\u00e9rature<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Communiqu\u00e9 de Presse \u2014 12\/06\/2020 Les Journ\u00e9es de Lyon organisent depuis 30 ans le plus important concours d\u2019\u00e9criture dramatique de l\u2019espace francophone.Pour cette \u00e9dition, 350 textes ont \u00e9t\u00e9 re\u00e7us, lus, relus, annot\u00e9s, et \u00e2prement discut\u00e9s (1200 fiches de lecture produites). Laur\u00e9ats :\u2022 Jean D\u2019Am\u00e9rique &#8211; Cath\u00e9drale des cochons (Prix Jean Jacques Lerrant)\u2022 Ariane von Berendt [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","footnotes":""},"categories":[1],"tags":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p9n5dd-e7","jetpack_likes_enabled":false,"jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/auteursdetheatre.org\/index.php?rest_route=\/wp\/v2\/posts\/875"}],"collection":[{"href":"https:\/\/auteursdetheatre.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/auteursdetheatre.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/auteursdetheatre.org\/index.php?rest_route=\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/auteursdetheatre.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=875"}],"version-history":[{"count":5,"href":"https:\/\/auteursdetheatre.org\/index.php?rest_route=\/wp\/v2\/posts\/875\/revisions"}],"predecessor-version":[{"id":886,"href":"https:\/\/auteursdetheatre.org\/index.php?rest_route=\/wp\/v2\/posts\/875\/revisions\/886"}],"wp:attachment":[{"href":"https:\/\/auteursdetheatre.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=875"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/auteursdetheatre.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=875"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/auteursdetheatre.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=875"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}